{"id":194,"date":"2026-03-08T14:51:16","date_gmt":"2026-03-08T14:51:16","guid":{"rendered":"https:\/\/sylviasoberton.com\/?page_id=194"},"modified":"2026-03-12T16:08:28","modified_gmt":"2026-03-12T16:08:28","slug":"news","status":"publish","type":"page","link":"https:\/\/sylviasoberton.com\/index.php\/news\/","title":{"rendered":"News"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Sylvia Barbara Soberton&#8217;s <strong>research is featured<\/strong> in Hever Castle&#8217;s new exhibition, <strong><em>Capturing a Queen: The Image of Anne Boleyn<\/em>.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2012, Soberton noticed a striking similarity between the National Portrait Gallery portrait of Anne Boleyn and the Compton Verney portrait of Elizabeth I, proposing that Elizabeth&#8217;s face may have served as a model for Anne&#8217;s. More recently, in her 2022 blog posts and her 2025 book <em>Secrets of the Tudor Portraits<\/em>, Soberton argued that \u201ca closer look\u201d at the paintings of Anne and Elizabeth revealed more than just \u201ca natural likeness between the mother and daughter. \u2026 Compared side by side, it becomes evident that the unknown artist used almost identical face patterns in both paintings.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr Owen Emmerson, a historian at Hever Castle\u2014Anne Boleyn&#8217;s childhood home\u2014credited Soberton&#8217;s work in a BBC Kent interview with Dominic King, saying: \u201cThis similarity between the two portraits has been recognised before by Sylvia Soberton, and I have built on this through the work of Lawrence Hendra who has located the artist behind these panels.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr Emmerson also noted that the facial pattern from the NPG portrait of Anne Boleyn and the Compton Verney portrait of Elizabeth I is visible in other works, including the portraits of Mary I at the Weiss Gallery and of Edward IV, formerly held by Paul Fitzsimmons&#8217;s Marhamchurch Antiques.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Capturing a Queen: The Image of Anne Boleyn<\/em> runs from 11 February 2026 to 2 January 2027.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sylvia Barbara Soberton&#8217;s research is featured in Hever Castle&#8217;s new exhibition, Capturing a Queen: The Image of Anne Boleyn. In 2012, Soberton noticed a striking &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-194","page","type-page","status-publish","hentry","latest_post"],"_links":{"self":[{"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/pages\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/comments?post=194"}],"version-history":[{"count":2,"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/pages\/194\/revisions"}],"predecessor-version":[{"id":208,"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/pages\/194\/revisions\/208"}],"wp:attachment":[{"href":"https:\/\/sylviasoberton.com\/index.php\/wp-json\/wp\/v2\/media?parent=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}